View Virtual Tour
Faggionato Fine Art in collaboration with Trolley Gallery are delighted to present Collective Noun, a richly inventive group show of works by emerging artists from the Trolley Gallery programme, curated and produced at Faggionato Fine Art.
Faggionato Fine Art in collaboration with Trolley Gallery are delighted to present Collective Noun, a richly inventive group show of works by emerging artists from the Trolley Gallery programme, curated and produced at Faggionato Fine Art.
Often interpreting the more perceptive sensibilities of artistic practice, the selected artists produce metaphysical, psychological as well as formal explorations.
Boo Saville presents detailed biro drawings of archeologically discovered heads, an intense translation of death, symbolic ritual and preservation. Whitney McVeigh’s work uses old found newspapers and documents on which to place her black monoprints, the result suggesting oversized Rorschach tests.
Kelly-Anne Davitt’s hyper-realistic paintings of models taken from her own photographs explore the often ridiculous extremes of representation of female beauty in advertising and television. Nina Gehl’s nostalgic paintings explore memory through found photographs of female portraits, painted using a mixture of oil and burnt wood ash.
Monica Carocci intervenes in the development and processing of her unique photographic prints tpo render her subjects dreamlike and ephemeral. Juliana Cerqueira Leite’s work explores the dimensions and extent of her own body, creating sculpture, video and drawings examining the result of her physical action in relation to her surroundings and medium. Similarly Laureana Toledo works with the relationships within various systems but based around words, poetry and photography.
Jennifer Taylor obsessively collects material to create installations of diverse objects whitewashed beneath a deceptive layer to disguise their original context.
Hrafnhildur Arnadottir aka Shoplifter works with human hair, both real and synthetic, to weave narratives and colour into forms and figures. Rachael Haines will create her site-specific installation ‘Tudor’ around the gallery, stretching from the columns around the gallery and into its kitchen and toilet, so that every part of the space becomes incorporated in the exhibition, rendering black gaffer tape into abstract and geometric forms.
Trolley was founded in Shoreditch, east London in 2004, and is shortly to relocate to west-end premises in Fitzrovia. Trolley’s program focuses on new and emerging artists in the UK and international artists who have not shown in London before.
Often interpreting the more perceptive sensibilities of artistic practice, the selected artists produce metaphysical, psychological as well as formal explorations.
Boo Saville presents detailed biro drawings of archeologically discovered heads, an intense translation of death, symbolic ritual and preservation. Whitney McVeigh’s work uses old found newspapers and documents on which to place her black monoprints, the result suggesting oversized Rorschach tests.
Kelly-Anne Davitt’s hyper-realistic paintings of models taken from her own photographs explore the often ridiculous extremes of representation of female beauty in advertising and television. Nina Gehl’s nostalgic paintings explore memory through found photographs of female portraits, painted using a mixture of oil and burnt wood ash.
Monica Carocci intervenes in the development and processing of her unique photographic prints tpo render her subjects dreamlike and ephemeral. Juliana Cerqueira Leite’s work explores the dimensions and extent of her own body, creating sculpture, video and drawings examining the result of her physical action in relation to her surroundings and medium. Similarly Laureana Toledo works with the relationships within various systems but based around words, poetry and photography.
Jennifer Taylor obsessively collects material to create installations of diverse objects whitewashed beneath a deceptive layer to disguise their original context.
Hrafnhildur Arnadottir aka Shoplifter works with human hair, both real and synthetic, to weave narratives and colour into forms and figures. Rachael Haines will create her site-specific installation ‘Tudor’ around the gallery, stretching from the columns around the gallery and into its kitchen and toilet, so that every part of the space becomes incorporated in the exhibition, rendering black gaffer tape into abstract and geometric forms.
Trolley was founded in Shoreditch, east London in 2004, and is shortly to relocate to west-end premises in Fitzrovia. Trolley’s program focuses on new and emerging artists in the UK and international artists who have not shown in London before.
All Around Me
65 x 80 x 45 cms
Polyester resin, glass fibre, black pigment, terracotta clay, shellac.
2008
Baby Bull
123 x 124 x 62 cms
Grey Air Dough
2010
Chantal
60 x 90 cms
Print on handmade paper
2010
Comfort Women
30.5 x 19 cms
ash and oil on canvas
2010
Cunard Nurses (2)
115 x 90 cms
Oil, ash, calcium carbonate on canvas
2010
Four Vector Space Interaction Drawing 4: Spaces Between Torso and Both Arms with Hands on Hips (study)
53 x 63 x 3 cms
Pen on paper
2008/9
Fur
56 x 67 cms
Oil on canvas
2010
Home
25.5 x 7.5 x 18.3 cms
Found Object
2010
Just a little bit afraid of you
280 x 380 x 200 cms
Mixed media and found objects
2010
Love is the Drug (After Roxy Music)
approx 170 x 59 cms
Found newspaper headlines and acrylic paint
2010
Monte Bianco
49 x 60 cms
Print on handmade paper
2010
Open Up
32 x 42.2 x 3.5 cms
Pen on paper
2010
Open Up (large)
69.5 x 82 x 3 cms
Pen on paper
2010
Potential and Potential
21 x 26.5 cms
Collage on found paper
2009
Rainbow Opera 2010
224 x 183 x 15 cms
Synthetic hair on wood
2010
Red Hat
50 x 58 cms
Oil on canvas
2010
Skies
21 x 26.5 cms
Collage on found paper
2009
The Last Man
75.5 x 56 cms
Biro on paper
2010
The Mystery of Your Voice
9.9 x 17.4 x 5.4 cms
Found Object
2010
Tudor
Black Gaffer Tape
2010
With Kindness Rembrance Good luck (Portrait of Marjorie Booth)
17 x 33 cms
Ash and oil on canvas
2010
